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HIGHLIGHTS: KCSM HD1 (Jazz 91)
  • Linda May Han Oh (ENCORE). We revisit the rise of bassist and composer Linda May Han Oh. When she’s not on tour with Pat Metheny, she’s leading her own boundary-pushing projects like Aventurine. This episode features music from that project recorded at NPR’s Studio One and traces her journey from Perth, Australia to New York City.
  • Dial ‘B’ For Beauty: The Music Of Tadd Dameron, Part 1. Tadd Dameron was the quintessential arranger-composer of the 1940s bebop era. On "Dial ‘B' For Beauty: The Music Of Tadd Dameron, Part 1" we feature his compositions and arrangements for both large and small groups. In the company of Sarah Vaughan, Fats Navarro, Charlie Rouse, Dizzy Gillespie, Wardell Gray, Miles Davis, Dexter Gordon and more. And we’ll hear Tadd’s jazz standards “If You Could See Me Now”, “Our Delight”, “Good Bait”, and “Lady Bird”. This is the first of a two part episode in a new occasional series on The Jazz Legacy called "Unsung Heroes", where we put the focus on jazz artists deserving of greater recognition.
  • Penn Jillette. One-half of the magic duo Penn & Teller, Penn Jillette discusses his bass playing during the pre-show of his Vegas act, and how jazz has changed his life.
  • Daniel Meron Trio. New York City based composer and pianist Daniel Meron brought his trio to Clevland to debut pieces from his 2024 Pinch Records based release Pendulum. Over the past decade Meron has established himself as a prominent figure in the modern jazz scene releasing four critically acclaimed albums, along with featured performances at the Jacksonville Jazz Festival, Costa Rica Jazz Festival, and tours of the US, Canada, Europe and Israel. From a May 5th, 2024 performance that features Pablo Menares on Bass, Jimmy Macbride on Drums and Daniel Meron on piano, it’s the Daniel Meron Trio – Live at the Bop Stop.
HIGHLIGHTS: KCSM HD2
  • Daniel Meron Trio. New York City based composer and pianist Daniel Meron brought his trio to Clevland to debut pieces from his 2024 Pinch Records based release Pendulum. Over the past decade Meron has established himself as a prominent figure in the modern jazz scene releasing four critically acclaimed albums, along with featured performances at the Jacksonville Jazz Festival, Costa Rica Jazz Festival, and tours of the US, Canada, Europe and Israel. From a May 5th, 2024 performance that features Pablo Menares on Bass, Jimmy Macbride on Drums and Daniel Meron on piano, it’s the Daniel Meron Trio – Live at the Bop Stop.
  • This episode features more selections in the memory of Sam Williams (Tommy Ellison & the Five Singing Stars), Christian Tabernacle Concert Choir (pictured), Holy Disciples, and more.
  • Written in the Stars? The Longtermist Movement. A new philosophy steeped in the ideas of Artificial Intelligence, space colonization, and the long-term survival of the human species is gaining ground among the wealthy. However, there are reasons to question its goals and its ethics. Longtermists believe that not only could we colonize space and create simulated humans in giant servers around stars, but that we must. Anything short of a trillion-year multi-planetary existence for our species would be a moral failing. They also believe that all of our ethical actions should focus on the countless lives that may exist in that dim future, instead of on the people alive today. Is this the kind of ethics we should all accept, however? Philosopher and historian Emile P Torres joins us to discuss Longtermism and its dangerous pitfalls.
  • This week program features an encore interview with jazz singer, Dianne Reeves. Reeves was born in Detroit, Michigan. Reeves father sang, her mother played trumpet, her uncle is bassist Charles Burrell and her cousin is George Duke. Her father died when she was two years old, and she was raised in Colorado by her mother, Vada Swanson, and maternal family. In 1971, she started singing and playing piano. She was noticed by trumpeter Clark Terry, who invited her to sing with him. "He had these amazing all-star bands, but I had no idea who they all were! Said Reeves, “The thing I loved about it was the way they interacted with each other – the kind of intimate exchange that I wasn't part of.”